Shiva Maha Puranam In Tamil Pdf Books
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Shiva Maha Puranam In Tamil Pdf Download - DOWNLOAD shiva maha puranam tamilshiva maha puranam in tamil pdfshiva maha puranam in tamil pdf free downloadsiva maha puranam tamil 51f937b7a3 THE SHIVA PURANA The Shiva Purana has twenty-four thousand shlokas. These are divided into six samhitas or sections. The names of the sectiosn are jnana. May 13, 2015 Shiva: Stories and Teachings from the Shiva Mahapurana Paperback – October 4, 2013. Mataji Devi Vanamali has written seven books on the gods of the Hindu pantheon, including Hanuman, The Play of God, The Song of Rama, and Shakti, as well as translating the Bhagavad Gita. She is the founder and president of Vanamali Gita Yogashram.
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| Part of a series on |
| Shaivism |
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Paramashiva (Supreme being)
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Saiddhantika Non - Saiddhantika
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| Tirumurai | ||
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| The twelve volumes of TamilŚaiva hymns of the sixty-three Nayanars | ||
| Parts | Name | Author |
| 1,2,3 | Tirukadaikkappu | Sambandar |
| 4,5,6 | Tevaram | Tirunavukkarasar |
| 7 | Tirupaatu | Sundarar |
| 8 | Tiruvacakam & Tirukkovaiyar | Manikkavacakar |
| 9 | Tiruvisaippa & Tiruppallaandu | Various |
| 10 | Tirumandhiram | Tirumular |
| 11 | Various | |
| 12 | Periya Puranam | Sekkizhar |
| Paadal Petra Sthalam | ||
| Paadal Petra Sthalam | ||
| Rajaraja I | ||
| Nambiyandar Nambi | ||
The Periya Puranam (Tamil: பெரிய புராணம்), that is, the great purana or epic, sometimes called Tiruttontarpuranam ('Tiru-Thondar-Puranam', the Purana of the Holy Devotees), is a Tamil poetic account depicting the lives of the sixty-three Nayanars, the canonical poets of Tamil Shaivism. It was compiled during the 12th century by Sekkizhar. It provides evidence of trade with West Asia[1] The Periya Puranam is part of the corpus of Shaiva canonical works.
Sekkizhar compiled and wrote the Periya Puranam or the Great Purana, (the life stories of the sixty-three ShaivaNayanars, poets of the God Shiva) who composed the liturgical poems of the Tirumurai, and was later himself canonised and the work became part of the sacred canon.[2] Among all the hagiographic Puranas in Tamil, Sekkizhar's Tiruttondar Puranam or Periyapuranam, composed during the rule of Kulottunga Chola II (1133-1150) stands first.[3]
Background[edit]
Sekkizhar was a poet and the chief minister in the court of the Chola King, Kulothunga Chola II. Kulottunga Chola II, king Anabaya Chola, was a staunch devotee of Lord Siva Natraja at Chidambaram. He continued the reconstruction of the center of Tamil Saivism that was begun by his ancestors. However Kulottunga II was also enchanted by the Jain courtly epic, Jivaka Cintamani an epic of erotic flavour (sringara rasa) whose hero, Jivaka, combines heroics and erotics to marry eight damsels and gain a kingdom. In the end he realises the transiency of possessions, renounces his kingship and finally attains Nirvana by prolonged austerity (tapas).[4][full citation needed]
In order to wean Kulottunga Chola II from the heretical Jivaka Cintamani, Sekkizhar undertook the task of writing the Periyapuranam.[2][full citation needed]
Periyapuranam[edit]
The study of Jivaka Cintamani by Kulottunga Chola II, deeply affected Sekkizhar who was very religious in nature. He exhorted the king to abandon the pursuit of impious erotic literature and turn instead to the life of the Saiva saints celebrated by Sundaramurti Nayanar and Nambiyandar Nambi. The king thereupon invited Sekkizhar to expound the lives of the Saiva saints in a great poem. As a minister of the state Sekkizhar had access to the lives of the saints and after he collected the data, he wrote the poem in the Thousand Pillared Hall of the Chidambaram temple.[5] Legend has it that the Lord himself provided Sekkizhar with the first feet of the first verse as a divine voice from the sky declaring 'உலகெலாம்' (ulakelam: All the world).[citation needed]
This work is considered the most important initiative of Kulottunga Chola II's reign. Although, it is only a literary embellishment of earlier hagiographies of the Saiva saints composed by Sundarar and Nambiyandar Nambi, it came to be seen as the epitome of high standards of the Chola culture, because of the highest order of the literary style.[5][full citation needed] The Periyapuranam is considered as a fifth Veda in Tamil and immediately took its place as the twelfth and the last book in the Saiva canon. It is considered as one of the masterpieces of the Tamil literature and worthily commemorates the Golden age of the Cholas.[3][full citation needed]
Significance[edit]
All the saints mentioned in this epic poem are historical persons and not mythical. Therefore, this is a recorded history of the 63 Saiva saints called as Nayanmars (ldevotees of Lord Siva), who attain salvation by their unflinching devotion to Siva. The Nayanmars that he talks about belonged to different castes, different occupations and lived in different times.[3][full citation needed]
References[edit]
- ^Glimpses of life in 12th century South India
- ^ abA Dictionary of Indian Literature By Sujit Mukherjee.
- ^ abcMedieval Indian Literature By K. Ayyappapanicker, Sahitya Akademi.
- ^Criminal Gods and Demon Devotees By Alf Hiltebeitel.
- ^ abThe Home of Dancing Śivan̲ By Paul Younger.
External links[edit]
- Periya Puranam in Tamil.
- Periya Puranam in English.
- Nayanar temples locations explained in Periya puranam
All the books are available for downloads as pdfs, and are free. However, since it takes quite an effort to scan and create them as ebooks, please consider making a small donation. You can enter the amount once you click on the books below.
Telugu version by Veera Raju, published in 1929. Title: Shiva Puranamu.
Kannada version by Manohara Deekshitaru. Title: Sri Siva Purana (You will have to read this in djvu reader, which is available for free here.
English version: Part 1 and Part 2 by J.L.Shastri, published in 1930 by Motilal Banrasidas. Title: The Shiva Purana.
A print version is available from Flipkart in India and from Amazon in the US.
Be sure to check out the public domain books page for more puranas, epics and other interesting books to download.
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The Puranas
The Shiv Puran is the purana dedicated to Lord Shiva, one of the most important divinities in the Hindu way of life. Several editions of the Shiv Puran are available in the public domain in the PDF format for download in English, Hindi, Sanskrit, Telugu and Kannada. Keep reading for an explanation of the role the Puranas play, and a brief history of the Puranas.
A Purana is a particular aspect of Hindu scriptural literature, which covers several topics such as history – political and otherwise – philosophy, sociological aspects and several other subjects. Essentially, it can be seen as a great bank of knowledge about esoteric subjects, as well as a historical document (with several distortions sometimes!) of India’s past.The Puranas are of two kinds: the Mahapuranas and the Upapuranas. Each class consists of eighteen puranas, bringing the total number of puranas to thirty-six. The Mahapuranas or “Great Puranas” are the more important ones, while the Upapuranas or “sub-puranas” are the minor ones are often neglected in study.
The Shiv Puran
The Shiv Puran of course praises the glory and greatness of Shiva, describes the ritual and philosophical principles of Shiva worship, embodies descriptions, sermons and dissertations on the greatness of his divinity, recounts his emblems, attributes, exploits and incarnations, narrates legends and dwells upon the merit of installing and consecrating the linga.
The Shiv Puran as we have it today is said to be only a fragment of what originally existed. This is a common theme in all Indian mythology, an alludes to the impossibility of encompassing knowledge of all creation within a book, or any number of books for that matter. The Shiv Puran is today a matter of interest for many physicist-philosophers, since many of the stories bear an uncanny resemblance to the descriptions given by modern cosmology regarding the creation and birth of the universe. Fritjof Capra for instance, narrates in his book “The Tao of Physics”, how similar in structure the statue of Nataraja (Shiva as the Lord of Dance) is to the traces left behind by subatomic particles in a Bubble Chamber. Several stories in the purana deal with how Shiva creates the universe. In one such for example, it is said that there is one Shiva and Parvati pair looking after one universe, and there are many such pairs in creation. This is quite similar to the many-worlds hypothesis being put forward by some quantum physicists today.
The text of the Shiv Puran as it exists today is arranged into seven Samhitas: Vidyavara, Rudra, Satarudra, Kotirudra, Uma, Kailasa and Vayaviya. The Rudrasamhhita itself is divided into five sections: Creation, the story of Sati, the story of Parvati, the birth and adventures of Kumara and Shiva’s battles. The Vayaviya has two parts, the Purvabhaga and Uttarabhaga. It is called Vayaviya, because although it is Suta who narrates it in the Naimisha forest, it was originally narrated by Vayu.
As per Vayaviya, the original Shiv Puran had twelve Samhitas as against the current seven. The five additional ones were Vainayaka, Matr, Rudraikadasa, Sahasrakoti and Dharma. All twelve Samhitas together comprised one hundred thousand Slokas. The five Samhias have been dropped however over the course of time and the Shiva Purana we have with us today consists of twenty-four thousand slokas, said to have been abridged by Sage Vyasa.
Most Puranic scholars agree upon the authenticity of the seventeen Mahapuranas other than the Shiv Puran. Generally the eighteenth is listed as the Shiva Purana, though a few list the Vayu Purana in its place. JL Shastri conjectures the following:
“We know that Sivapurana is divided into seven Samhitas, one of which is the Vayaviya. We have the testimony of Sivapurana itself that the original Sivapurana consisting of one hundred thousand slokas was abridged into twentyfour thousand slokas. On the strength of this evidence it cannot be unreasonable to suppose that there was a proto-Sivapurana and a proto-Vayaviya. It is not unlikely that there was a close affinity between the extant Vayupurana and the proto-Vayaviya or that the extant Vayupurana is a recension of the proto-Vayaviya and thus a part of Sivapurana itself. Solution lies in assuming identicality of the two on the basis of this suggestion, not in accepting the one and rejecting the other.”